Cantor Foundation Celebrates NYU’s Tisch School of the Arts’ Fiftieth Anniversary

May News TischIris Cantor and the Board of the Cantor Foundation joined with hundreds of friends, alumni, and supporters in celebrating the 50th Anniversary of Tisch School of the Arts at NYU. The April 4 event at Jazz at Lincoln Center raised a gala record of scholarship support for the much-admired school.

The Cantor Family and the Cantor Foundation have been long-term and ardent supporters of Tisch. Previous Cantor support has included a Cantor Scholarship Fund and the creation of the Iris and B. Gerald Cantor Film Center. Most recently Iris Cantor announced her support for the construction of a state-of-the-art proscenium theater at the School. The performance space will be named the Iris Cantor Theater.

As you can see by the photos, Tisch has a great many admirers!



San Antonio Museum of Art Celebrates Opening of Rodin: The Human Experience, Selections from the Iris and B. Gerald Cantor Collections

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A week of events marked the early March opening at the San Antonio Museum of Art of the Foundation’s large traveling exhibition, Rodin: The Human Experience, Selections from the Iris and B. Gerald Cantor Collec-tions. Beautifully installed in one of the Museum’s remodeled galleries — the Museum is in a nineteenth-century brewery building — the show opened with two days of receptions and a public lecture by Judith Sobol, Executive Director of the Cantor Foundation, who also curated the show. In San Antonio the show was installed under the expert stewardship of SAMA Curator of European Art Merribell Parsons and her team. (Merribell, Judith, and Cantor Foundation Vice President Ryan Fisher are left-to-right in the top left photograph, above.)

It’s always fascinating for us to see how different museums present our shows. The San Antonio Museum of Art wove the experience of this Rodin exhibition into a museum-wide multisensory tour it offers to visitors who are visually impaired. It combines music, scent, and touch to bring the experience of the sculpture to those who cannot see well. San Antonio’s tour leader Norma Gomez-Perez reported that “touching the art surprised all our guests who lovingly did it and couldn’t keep their [gloved] hands away from the pieces [in all the Museum galleries] allowed to be touched: Sekhmet, Rodin’s Jean d’Aire, Rodin’s Caryatid with Stone and J.L. Rivera Barrera’s Enamoramiento. Incredible music selections and well matched scents completed the presentations beautifully. This time we offered a very brief explanation and reasons for the scents selected, something that we will continue doing because it proved to be valuable and appreciated by all. We heard so many positive comments from the visitors, they were so grateful for this tour!” Excelente San Antonio!

The exhibition closes in San Antonio on May 29; it travels from here to the Joel and Lila Harnett Gallery at the University of Richmond, where it opens in August.

Rodin’s Portraits of a Lifetime Draws Large Crowds at Methodist University in Fayetteville, North Carolina

b3b4f0e4-8e69-431f-bfb5-dbf64cd635eeRodin’s glorious seven-foot tall figure of Claude Lorrain currently reigns over the elegant small art gallery at Methodist University in Fayetteville, North Carolina. The largest bronze in the exhibition Rodin: Portraits of a Lifetime: Selections from the Iris and B. Gerald Cantor Collections, it has been a crowd pleaser since the exhibition opened to the public on February 11 in the University’s David McCune International Art Gallery.

The exhibition includes many iconic Rodins, including Bust of Jean Baptiste Rodin (the artist’s father), Heroic Bust of Victor Hugo, Monumental Head of Balzac, Mask of the Man with the Broken Nose, Bust of Mrs. Russell, and The Creator, thought by many to be a self-portrait.

Gallery Director Silvana Foti beams about the exhibition. “We are a gallery that you wouldn’t think would be able to get a show like Rodin. This type of exhibit would usually be in a museum with a huge staff, with people trained to handle the art in a certain way. We have a small staff and recognize that this is a rare opportunity.”

Foti created a support team to help her bring Rodin to Fayetteville. A visiting crew of specialists helped uncrate the sculpture, install the pieces in the Gallery, and examine and record the physical condition of the works. A special Advisory Committee came together to raise community awareness of the show, recruit a corps of docents, schedule tours for groups from the local schools and assisted-living communities, and raise funds for special programs and events. By the time Cantor Foundation Executive Director and exhibition curator Judith Sobol showed up for the opening, tours were scheduled, docents were educated, invitations were mailed to small and large opening receptions, and Rodin: The Gates of Hell, Iris Cantor’s award-winning film on the 1979 casting of Rodin’s famous piece, was scheduled for showings on the College campus and in the city’s popular downtown art theater.

Publicity on the show went out statewide. It was featured in Fayetteville’s CityView Magazine, was on the cover of the four state artGuide, and was the lead-off story on North Carolina Pubic Television’s popular show about what’s happening in the Tar Heel State, North Carolina Weekend.
“I am wowed by the way this community stepped up to make this beautiful exhibition a success,” said Judith. “When Bernie and Iris Cantor said they wanted people all over America to see and appreciate Rodin’s work, this is what they had in mind.”


Photo at top: Opening reception for Rodin: Portraits of a Lifetime, Selections from the Iris and B. Gerald Cantor Collections (photo Jason Canady).
Photos circling billboard, starting upper left: Gallery visitor Stanislav Belyakov with Bust of Victor Hugo (photo Carrie A. Kirkpatrick); McCune Gallery Director Silvana Foti and visitor from Vision Resource Center with The Creator (photo Daniel Cestero); Methodist University students discuss Monument to General Lynch (photo Jason Canady); Cantor Foundation Executive Director and Exhibition Curator Judith Sobol and Silvana Foti in front of Monument to Claude Lorrain (photo Doo Lee); Gallery Docent Lu Erwin and visitor from Vision Resource Center explore The Creator; Methodist University President Ben Hancock, Silvana Foti, and Debbie Hancock (photo Doo Lee); Mark Sternlicht, Chair of McCune Gallery Advisory Board (photo Doo Lee); Judith Sobol speaking about Monument to Claude Lorrain at exhibition opening reception (photo Carrie A. Kirkpatrick). (Doo Lee and Jason Canady photos: contributed photos Methodist University.)
Center: billboard announcing exhibition along major highway entering Fayetteville.

Iris Cantor Gift Transforms Theater Possibilities at NYU’s Tisch School of the Arts

New York Music Photographer | Ahron R. Foster

Iris Cantor’s latest transformative gift was announced recently by New York University’s Tisch School of the Arts. Mrs. Cantor’s generosity will support the construction of a state-of-the-art proscenium theater at the School. The performance space – part of a planned multi-use building on Bleecker Street whose construction is due to start this year – will be named the Iris Cantor Theater. Tisch School of the Arts has been a long-time recipient of philanthropy from the Cantor Family and for the Iris & B. Gerald Cantor Foundation.

“Education is the foundation of our intellectual existence, teaching us to challenge convention and push beyond boundaries. The arts remind us of what it means to be human — a mission never more important than it is today,” said Mrs. Cantor. “With this most recent gift to NYU, I hope to reaffirm all the tremendous progress made by the Tisch School of the Arts in its comparatively brief history and position the School for an even brighter future. I’m thrilled to be a part of expanding its operations to create a space where young minds can create, expand, and soar.”

Allyson Green, Dean of Tisch School of the Arts, in announcing the Cantor gift, said “We are so grateful to Iris Cantor. For decades, she has earned a reputation not only for her generosity, but also for her civic and artistic leadership, transforming medical, cultural, and educational institutions throughout New York City and the world and encouraging others to do the same. This gift goes right to the heart of what we most needed as a premiere arts education institution – space for student performances.”

“What distinguishes Iris Cantor is not just her generosity, which is enormous,” said John Sexton, President of NYU. “It is her discernment, her ability to make gifts that really make a difference. With this gift, she bestows on NYU – a school renowned for its performing arts – a proscenium theater performing and training space, which will be part of a new signature building for the University that will serve many needed roles under one roof. We are very grateful to Iris Cantor; this will mean the world to generations of theater students and faculty.”

The new space will enable students in performing arts programs at NYU to learn their craft in a setting with the same possibilities as working professional theaters. It will embrace all manner of current and evolving scenic, lighting, audio, and video technologies. The theater will be part of NYU’s proposed major new facility along Mercer Street between Houston and Bleecker Streets. The whole facility will include classrooms and teaching spaces and will serve students at Tisch as well as at NYU’s Steinhardt School’s Department of Music and Performing Arts Professions.

Dean Green predicted the Iris Cantor Theater will transform the Tisch experience for students in drama, graduate acting, dance, New York Music Photographer | Ahron R. Fosterperformance studies, and design. The result will more than double Tisch’s current rehearsal space and will make possible more numerous professional grade performances, she said.

Previously Cantor Family and Foundation support for Tisch has included a Cantor Scholarship Fund and the creation of the Iris and B. Gerald Cantor Film Center.
(Images courtesy NYU Department of Drama. Top: Troilus & Cressida. Bottom: The Wild Party.)


Cantors Receive Exceptional Honor as Paris’ Musée Rodin Names Gallery ‘Hall Iris et B. Gerald Cantor’

French Prime Minister Manuel Valls welcomes Iris Cantor and members of Cantor Foundation Board to Musée Rodin

French Prime Minister Manuel Valls welcomes Iris Cantor and members of Cantor Foundation Board to Musée Rodin

Following three years of renovations that ended with five days of anticipatory celebrations, Paris’ beloved Musée Rodin opened to the public on November 12. The restored museum’s days of celebrations honored Iris and B. Gerald Cantor for their six decades of support for the museum, support first initiated by B. Gerald Cantor and then continued by Mrs. Cantor. The museum has commemorated this support by naming the premier gallery of the Hotel Biron “Hall Iris et B. Gerald Cantor,” an exceptional honor rarely given by a French museum.

Iris Cantor was at the Musée Rodin with members of the Foundation Board and many friends to witness the ribbon cutting by French Prime Minister Manuel Valls. M. Valls lauded the Cantors and recognized the two American philanthropists for their extraordinary advocacy not only for the museum but also for a revived legacy for Rodin, who today is recognized as having transformed sculpture into a modern art form.

At a private luncheon in her honor in Hall Cantor, Mrs. Cantor spoke of her commitment to the Musée Rodin:

For all of us who love Rodin and treasure this museum, and have watched the renovations over the past three years, it’s thrilling to see the final result.

The Cantor name is linked to the Musée Rodin through six decades of an enjoyable, productive association that remains, at its heart, a great friendship. The reopening of the Musée brings our journey full circle — ensuring Rodin’s legacy while honoring another: the legacy of my late husband, B. Gerald Cantor.

Bernie was a businessman, a trailblazer in the financial world. But he had another passion: the art of Auguste Rodin. To use Bernie’s own words, Rodin was his magnificent obsession. When we met, I quickly realized that loving Bernie meant loving Rodin as well. As it turned out, they both captured my heart!

For Bernie, being a collector was just the beginning. He had a scholar’s thirst for knowledge. He spent long hours poring over art books with a magnifying glass in his hand. And when he wanted more insight into Rodin’s creative inspiration and production processes – when he wanted to walk in the footsteps of the great artist himself – he came to the Musée Rodin.

Bernie formed a friendship with the museum’s director at that time, Cécile Goldscheider. They didn’t speak each other’s language, but it didn’t matter – they understood each other. Madame Goldscheider often said that Bernie came here to learn. He did learn a great deal from Cécile and her colleagues — but he also shared his own expertise and generosity with them, helping the museum improve its systems and processes. For Bernie these were labors of love, fueled by a desire to preserve the genius of Rodin for all time, while being true to Rodin’s own vision.

As Bernie’s wife, and his partner in promoting the appreciation and study of Rodin, I was privileged not only to observe all of this, but to be a part of it. I loved our many visits to the Musée. What began as a simple friendship evolved into a lasting partnership that I am very proud to continue as the guardian of the Cantor legacy.

I wish that Bernie could be here today, to see the Musée Rodin as beautiful and functional as he envisioned. It’s an extraordinary honor to have the Cantor name on this exhibition hall, near The Hand of God, the Rodin piece that first captivated my husband — changing his life, and mine, in remarkable ways. I hope you know how grateful and proud Bernie would have been, and how much this recognition means to me and my family.

Merci beaucoup!


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