Busy Schedule of Rodin Traveling Exhibitions To Continue

IMG_0499Busy schedules await the Foundation’s two traveling exhibitions of works by Auguste Rodin, which can be seen together until June 14 at the Michener Art Museum in Doylestown Pennsylvania.  When this combined show closes this summer at the Michener it will separate into two thematic shows that are committed through 2017.

The first stop for a 32-piece exhibition that features bronzes of all kinds by the French master and is titled Rodin:  The Human Experience, Selections from the Iris and B. Gerald Cantor Collections, is the Honolulu Museum of Art, where it opens in July 2015.  This will be the first exhibition of Rodin’s bronzes in Hawaii.  From here it goes to the San Antonio Museum of Art in Texas, opening in March 2016.  The final stop in 2016 will be the Joel & Lila Harnett Museum of Art at the University of Richmond in Virginia.  It opens here in August 2016.

A smaller show made up of Rodin portraits, titled Rodin:  Portraits of a Lifetime, Selections from the Iris and B. Gerald Cantor Collections, will travel at the same time.  This show contains Rodin’s portraits of the famous and influential figures of his time, along with three portraits of him by others.  When it leaves the Michener it goes to the David McCune International Art Gallery at Methodist University in Fayetteville North Carolina; it opens here in February 2016.  Next it travels to Iowa’s Cedar Rapids Museum of Art, where can be visited from June into September 2016.  In October 2016 this portraits group opens at Texas A&M University’s J. Wayne Stark Gallery in College Station, where it will be on view for the remainder of the year.

Both groups of sculpture come together again in January 2017 at Oregon’s Portland Art Museum, where it will be for four months.  From here the combined show travels to the Flint Institute of Arts in Michigan for the period May through July 2017.  The figures group then travels to the Telfair Museum of Art in Savannah Georgia (September 2017-January 2018).

Because museums usually plan their exhibition schedules three years in advance, Foundation staff is working now on a new show that will begin its journey in 2018.  Stay tuned for more news!


Six Hundred Attend Michener Art Museum Members Reception for “Rodin: The Human Experience”

The Michener Art Museum

The Michener Art Museum the evening of the Members Reception for “Rodin:  The Human Experience”

Michener Museum members admire Rodin's 1892 "Nude Study of Balzac (Type C)"

Michener Museum members admire Rodin’s 1892 “Nude Study of Balzac (Type C)”

At the Member Reception, Cantor Executive Director and Curator Judith Sobol (l), Michner Director & CEO Lisa Tremper Hanover, and Director of the Ross Gallery at the University of Pennsylvania Lynn Marsden-Atlass (r)

At the Member Reception, Cantor Executive Director and Curator Judith Sobol (l), Michner Director & CEO Lisa Tremper Hanover, and Director of the Ross Gallery at the University of Pennsylvania Lynn Marsden-Atlass (r)

On February 28 the Foundation’s acclaimed new exhibition of sculpture by Auguste Rodin opened at the Michener Art Museum in Doylestown, Pennsylvania.  The members’ opening reception, on a snowy Friday evening, was attended by 600 people who celebrated the selection of 52 works, all from the Cantor collections.  The exhibition at the Michener is augmented by a superb small show of sculpture and drawings by contemporary American artists, many of whom are represented in the Museum’s collection or on loan from friends of the Museum.

Included in the exhibition, which will travel through 2017, are Metamorphosis of Ovid, Despairing Adolescent, Fugitive Love, Fallen Caryatid with Stone and Fallen Caryatid with Urn, as well as Bust of Jean Baptiste Rodin, Heroic Bust of Victor Hugo, and Monumental Head of Balzac.  On special loan to the Michener for this exhibition is the North Carolina Museum of Art’s 15-inch cast of The Thinker (a 2009 gift to the NCMA from the Cantor Foundation).

The Michener is presenting a menu of programs to augment the exhibition.  A four-part lecture series was kicked-off on March 3 by Cantor Foundation Executive Director Judith Sobol, the exhibition’s curator.  Her talk related the story of the creation of Iris and Bernie Cantor’s impressive collection of works by Rodin, which at one time numbered 750 pieces.  It also described Rodin’s remarkable achievement in transforming traditional sculpture into modern sculpture, using works in the exhibition as examples.  Sobol’s talk will be followed in March and April by presentations by Jennifer A. Thompson, curator of the Philadelphia Museum of Art’s Rodin Museum and by its conservator Katherine Cuffari, recently part of a team that treated the PMA’s cast of Rodin’s The Gates of Hell.  The Michener has also planned a talk on Rodin’s legacy by its senior curator of exhibitions, Kirsten Jensen, who put together a show demonstrating Rodin’s influence on succeeding artists, a complement to the Cantor show.  Also planned are tours of Philadelphia’s Rodin Museum, gallery talks about Rodin’s formal achievements, and visits to contemporary artists’ studios.

Foundation Newly Presents More Ways To Learn about Rodin

RodinGatessquareWe are always looking for new ways to introduce people to the work of August Rodin.  And we’ve just come up with three more! Now Rodin lovers may download the Foundation’s award-winning film, Rodin: The Gates of Hell directly from Amazon.  The 53-minute film, produced by Iris Cantor in 1981 and winner of numerous prestigious accolades, has been newly digitized and color- and sound-corrected, so that today’s audiences will see the recounting of the Rodin story as beautifully as it was first told years ago by Mrs. Cantor.  The film, with José Ferrer as the voice of Rodin, tells the story of the sculptor’s life and recounts the stressful and dangerous process of using the lost wax process to fabricate the artist’s masterpiece, The Gates of Hell.  For more information, click on image of The Gates, on the left.

At the same time the Foundation has created an excerpt from the longer film; this explains the lost wax casting process in just eight minutes.  Plaster, Molds, Wax, and Fire is an easy-to-follow visual lesson on the complicated procedure favored by Rodin.  To take a look, visit

rival sisters, J. Rubin and Olivia MattisAnd the Foundation is happy to announce that Dr. Olivia Mattis, the recipient of a Cantor Research Fellowship in 2004, has authored a chapter in an important new book, Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915, which she also co-edited. Dr. Mattis contributed a chapter called Rodin’s Beethoven, wherein she describes the sculptor’s admiration for the composer.  Research for this chapter at the Musée Rodin was made possible by the Foundation.

Iris Cantor Lauded by Lupus Fundation

Iris Cantor, Richard DeScherer, Willie Geist, Mayor Bloomberg

Iris Cantor, Richard DeScherer, Willie Geist, Mayor Bloomberg

The S.L.E. Lupus Foundation and the Lupus Research Institute honored Iris Cantor, Chairman and President of the Iris & B. Gerald Cantor Foundation, at its annual Life Without Lupus Gala in November.  Mrs. Cantor was celebrated as a trailblazer in bringing the power of philanthropy to transform medical research and care.  Particularly fitting, the award was presented by Herb Pardes, M.D., retired president and chief executive and current executive vice chairman of New York-Presbyterian Hospital’s Board of Trustees. There Ms. Cantor led the creation of the Iris Cantor Women’s Health Center as well as New York’s first Men’s Health Center, also named in her honor.  In her acceptance remarks, she noted that “philanthropy and innovation go hand in hand. Through philanthropy we can accelerate the path from concept to practice.”

With close to 600 members of Metropolitan New York’s philanthropic, government, business, art, music, society and healthcare communities joining to “Celebrate Innovation” in lupus research and care, the event raised $2 million to support novel research intended to transform patients’ lives while advancing towards prevention and a cure.  The event also honored Bahija Jallal, Ph.D., Executive Vice President, AstraZeneca, for her leadership in helping the company fulfill its commitment to furthering biomedical innovation to change the face of autoimmune treatment. “We believe great science will bring great medicine,” she said.

The single biggest lupus event and highly-anticipated annual fundraiser had appropriately stellar entertainment.  Seventeen-time Grammy-winner Tony Bennett delighted the audience by performing such classics as “They All Laughed,” “I Left My Heart In San Francisco,” and especially “The Way You Look Tonight,” which he sang especially to Iris Cantor.

Rodin Exhibition Opens at Dixon Gallery and Gardens


A new exhibition of 49 works by Auguste Rodin and three portraits of him by others opened in October at Memphis’ Dixon Gallery and Gardens.  The show is an extraordinary insight into the French artist’s capacity to fill his bronzes with emotion, movement, and multiple meanings, a capacity that transformed sculpture at the beginning of the 20th Century from an art of description to one of evocation.

The Dixon Gallery’s presentation of Rodin:  The Human Experience, Selections from the Iris & B. Gerald Cantor Collections honors the memory of John Buchanan, who was Director of the Memphis museum in 1988 when it exhibited its first Rodin exhibition.  Buchanan, who went on to direct the Portland Art Museum (Oregon) and the Fine Art Museums of San Francisco, died in 2012.  “We thought that dedicating Rodin: The Human Experience to John would be a way of indicating the debt of gratitude that we owe him,” said the Dixon’s present director, Kevin Sharp. “He was central to the history of the Dixon. His ambition was translated into the Dixon’s ambition.”  As a special homage to John, Iris Cantor has loaned the Dixon Gallery a monumental cast of Rodin’s The Three Shades.

“Much to my delight, the Dixon is the first stop on a nine-city tour for the exhibition,” said Cantor Foundation Executive Director Judith Sobol. “It seems the natural place to begin.”  The exhibition goes from the Dixon to the Michener Art Museum in Doylestown, PA, and from there on to Honolulu, San Antonio, and Richmond.  Other venues are currently being finalized.

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